For inquiries and purchases contact Karla Funderburk

"Urgent Matter" Jan 19-Feb 29, 2020

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Pack Dogs

Cynthia Minet

$5300 each

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Pack Dogs: Sunny

Cynthia Minet

Recycled and repurposed plastics, LEDS, PVC pipe armatures, cement and lead weights, zip ties and other fasteners, electrical wire

56" x 28" x 14" 

$5300

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Pack Dogs: George

Cynthia Minet

Recycled and repurposed plastics, LEDS, PVC pipe armatures, cement and lead weights, zip ties and other fasteners, electrical wire

56" x 28" x 14"

$5300

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Pack Dogs: Jenny

Cynthia Minet

Recycled and repurposed plastics, LEDS, PVC pipe armatures, cement and lead weights, zip ties and other fasteners, electrical wire

56" x 28" x 14"

$5300

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Migrations: Spoonbill #4

Cynthia Minet

Post-consumer plastic, sequenced Post-consumer plastics, LEDS, wood, fasteners, materials gathered from the U.S./Mexico borderlands, climbing rope 

47" x 60" x 44"

$8900

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Study for Spoonbill #4

Cynthia Minet

Watercolor, pastel, charcoal on 100% rag

31" x 44"

$ 1800

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Study for Spoonbill #3

Cynthia Minet

Watercolor, graphite, pastel on 100% rag

30" x 37.5" 

$1800

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Study II for Spoonbill #3

Cynthia Minet

Watercolor, gouache, graphite, charcoal pencil on 100% rag
31" x 37.5"

$ 1800

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Migrations Installation Plan Study

Cynthia Minet

Watercolor and charcoal on 100% rag

42" x 112"

$3300

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Falcon Study II

Cynthia Minet

Charcoal and conte on rag paper 

30" x 44" 

$2900

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Study for Predator:Sky Dance II

Cynthia Minet

Charcoal, conte crayon, gouache on Stonehenge paper
22" x 30" 

$2500

About Cynthia Minet

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Cynthia Minet works with recycled plastics and light to address environmental issues in illuminated, site-responsive sculptures and installations, often paired with preparatory drawings on paper. Her process involves extensive research into animal gesture and anatomy, place and history, and developments in science and technology. Using mostly translucent recycled plastics, her artwork combines well-crafted anatomical accuracy with a hand-built aesthetic. Wires connecting the LEDS are visible on the works, adding an element of contour line that is repeated in the drawings that often accompany her installations. She sees the animals she portrays as surrogates for human experience, and the plastic materials they are made from draw attention to the petrochemicals that contribute to climate change, species extinction, and ecological devastation. Her goal is to both seduce and unsettle the viewer, prompting consideration of our shared responsibility for the natural world.